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Things are not going well at the Munich Kammerspiele. If you haven’t experienced it yourself in half-empty performances, the sparrows will whistle from the roofs. Or you can get it from the managing director Oliver Beckmann in figures – with the addition “It hurts my soul”: 55 percent occupancy in the period from October 2022 to the end of February. This is miserable. (For comparison: Munich Volkstheater in January 96 percent; Berlin Schaubühne 97.53 percent).
