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It’s not a concert like many others. Anyone who enters the Berlin Philharmonie to experience Daniel Barenboim with his Staatskapelle will hardly be able to suppress one question: Is Barenboim, the once omnipresent, but who ended up canceling all his appointments due to a serious illness, in possession of his strength again? Is he capable of conducting such a massive, offbeat structure as Hector Berlioz’s “Symphonie fantastique”?